YK 2019.

Full Speed (criss-cross) / ์•ž์œผ๋กœ ์•ž์œผ๋กœ (์˜†์œผ๋กœ ์˜†์œผ๋กœ)

I started this one with a serious tone, but it wasn’t fun – it felt like being absorbed in a problem, without being able to observe it. So I made a new version with a lighter (nonchalant?) touch. I also added a company, because I thought the protagonist can’t be alone in his struggle. Which version do you like better?

๊ทธ๋ฆผ์„ ์‹œ์ž‘ํ•  ๋•Œ๋Š” ์‹ฌ๊ฐํ•œ ๋ถ„์œ„๊ธฐ๋กœ ์žก์•˜๋Š”๋ฐ, ์žฌ๋ฏธ๊ฐ€ ์—†์—ˆ๋‹ค. ๋ฌธ์ œ๋ฅผ ๋ฐ”๋ผ๋ณด๊ธฐ๋ณด๋‹ค ๋ฌธ์ œ์— ํŒŒ๋ฌปํžˆ๋Š” ๊ฒƒ ๊ฐ™์•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๊ทธ๋ž˜์„œ ๋” ๊ฐ€๋ณ๊ณ  ์–ด์ฉŒ๋ฉด ๋ฌด์‹ฌํ•œ ๋“ฏํ•œ ๋ถ„์œ„๊ธฐ๋กœ ๊ทธ๋ ค๋ณด์•˜๋‹ค. ์ฃผ์ธ๊ณต ํ˜ผ์ž์„œ ๊ฒช๋Š” ๋ฌธ์ œ๋Š” ์•„๋‹ ๊ฒƒ ๊ฐ™์•„์„œ, ์‚ฌ๋žŒ๋„ ํ•˜๋‚˜ ๋” ๋„ฃ์—ˆ๋‹ค. ์–ด๋Š ๋ฒ„์ „์ด ๋” ์ข‹์œผ์‹ ์ง€ ๊ถ๊ธˆํ•˜๋‹ค.

Boxer at Rest / ์‰ฌ๊ณ  ์žˆ๋Š” ๋ณต์‹ฑ ์„ ์ˆ˜

The weary boxer in bronze was excavated in Rome. His photo when he was found looked as if he was taking a short rest after a bout of work.

Continue reading Boxer at Rest / ์‰ฌ๊ณ  ์žˆ๋Š” ๋ณต์‹ฑ ์„ ์ˆ˜

Cookies for Rudolph / ๋ฃจ๋Œํ”„์—๊ฒŒ ์ฟ ํ‚ค๋ฅผ


Santa sharing cookies with Rudolph. #cookiesforrudolph

๋ฃจ๋Œํ”„์™€ ์ฟ ํ‚ค๋ฅผ ๋‚˜๋ˆ  ๋จน๋Š” ์‚ฐํƒ€. #๋ฃจ๋Œํ”„์—๊ฒŒ์ฟ ํ‚ค๋ฅผ

(Reposting from last year;
see also how the first sketch told a very different story.)

(์ง€๋‚œํ•ด ๊ทธ๋ฆผ์ž…๋‹ˆ๋‹ค. ์ฒซ ์Šค์ผ€์น˜์˜ ์ด์•ผ๊ธฐ๋Š” ์–ผ๋งˆ๋‚˜ ๋‹ฌ๋ž๋Š”์ง€๋„ ๋ณด์‹œ๊ธธ.)

Pencil & digital, 2017

Drawing โ€œTranquilโ€ / ‘๊ณ ์š”ํ•œ’ ๊ทธ๋ฆฌ๊ธฐ

Tranquil is drawn after a tree in Coe Fen. On fine afternoons, the tree stands with a glow of sunshine on its back. In the photo, you can see it is growing new twigs, that almost look like saplings, from its limb lying on the left. Surrounded with lush vegetation, it looks as though it symbolizes resilience.

In the drawing, I omitted all leaves and abstracted out the background, to focus on the form of the tree’s body. While I followed what was compelled by visual composition, I wonder how that changed the substance. To me, compared to the real-life model, the tree’s situation seems more desolateโ€”as some of you suggestedโ€”, as if the whole tree and its surroundings are burned down. Its ultimate victory, which in fact happened, is suggested only in spirit. I wonder how you feel.

I want to try another version of the tree. My challenge is to keep the spirit of hope (and perhaps the leaves) without ruining the composition. I may modify the form, but I’d like to keep the original tree’s intuitive appeal and subtlety. That’s a lot to wish for, so I would appreciate any recommendation for works to model after.

๊ณ ์š”ํ•œ‘์€ ์ฝ”ํŽœ์— ์žˆ๋Š” ๋‚˜๋ฌด๋ฅผ ๊ทธ๋ฆฐ ๊ฒƒ์ด๋‹ค. ๋ง‘์€ ์˜คํ›„๋ฉด ๋‚˜๋ฌด๋Š” ํ–‡๋ณ•์„ ํ›„๊ด‘์œผ๋กœ ์ด๊ณ  ๋น›๋‚œ๋‹ค. ์‚ฌ์ง„์„ ๋ณด๋ฉด, ์™ผ์ชฝ์— ์žˆ๋Š” ์ค„๊ธฐ์—์„œ ์ž”๊ฐ€์ง€๊ฐ€ ๋งˆ์น˜ ์–ด๋ฆฐ ๋‚˜๋ฌด์ฒ˜๋Ÿผ ์ž๋ผ๊ณ  ์žˆ๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ๋ฌด์„ฑํ•œ ์ˆ˜ํ’€์— ๋‘˜๋Ÿฌ์‹ธ์—ฌ, ๋‚˜๋ฌด๋Š” ๋ˆ๊ธฐ์™€ ์ƒ๋ช…๋ ฅ์˜ ์ƒ์ง•๊ฐ™์•„ ๋ณด์ธ๋‹ค.

๊ทธ๋ฆผ์—์„œ๋Š” ์ค„๊ธฐ์˜ ํ˜•ํƒœ์— ์ดˆ์ ์„ ๋งž์ถ”๊ธฐ ์œ„ํ•ด ์žŽ๊ณผ ์ฃผ๋ณ€์„ ๋ชจ๋‘ ์ƒ๋žตํ•˜๊ณ  ๊ฐ„์†Œํ™”ํ–ˆ๋‹ค. ๊ตฌ๋„๋ฅผ ์œ„ํ•œ ์„ ํƒ์ด์—ˆ์ง€๋งŒ, ๋‚ด์šฉ์—๋„ ์˜ํ–ฅ์„ ๋ผ์นœ ๊ฒƒ ๊ฐ™๋‹ค. ์›๋ž˜ ๋‚˜๋ฌด์— ๋น„ํ•ด ๊ทธ๋ฆผ์˜ ๋‚˜๋ฌด๋Š” – ๋…์ž๋“ค ์ค‘์—์„œ๋„ ์ง€์ ํ–ˆ๋“ฏ์ด – ๋” ์“ธ์“ธํ•ด ๋ณด์ธ๋‹ค. ๋‚˜๋ฌด์™€ ์ฃผ๋ณ€์ด ๋ชจ๋‘ ํƒ€๋ฒ„๋ฆฐ ๊ฒƒ ๊ฐ™์•„ ๋ณด์ธ๋‹ค. ๋‚˜๋ฌด๊ฐ€ ๊ฒฐ๊ตญ ์Šน๋ฆฌํ–ˆ๋‹ค๋Š” ์‚ฌ์‹ค์€ ํฌ๋ฏธํ•˜๊ฒŒ ์‹œ์‚ฌ๋  ๋ฟ์ด๋‹ค. ๋…์ž๋“ค์€ ์–ด๋–ป๊ฒŒ ๋Š๋ผ์‹œ๋Š”์ง€ ๊ถ๊ธˆํ•˜๋‹ค.

๋‚˜๋ฌด๋ฅผ ๋‹ค์‹œ ํ•œ ๋ฒˆ ๊ทธ๋ ค๋ณด๊ณ  ์‹ถ๋‹ค. ํฌ๋ง์˜ ๊ธฐ์šด(๊ณผ ์ดํŒŒ๋ฆฌ๋“ค)์„ ์‚ด๋ฆฌ๋ฉด์„œ ๊ตฌ๋„๋ฅผ ์–ด์ง€๋Ÿฝํžˆ์ง€ ์•Š๋Š” ๊ฒƒ์ด ๊ณผ์ œ๋‹ค. ํ˜•ํƒœ๋ฅผ ๋ณ€ํ˜•ํ•  ์ˆ˜๋„ ์žˆ์ง€๋งŒ, ์›๋ž˜ ๋‚˜๋ฌด์˜ ์ง๊ด€์ ์ด๊ณ  ๋ฏธ๋ฌ˜ํ•œ ๋Š๋‚Œ๋„ ๋‚จ๊ธฐ๊ณ  ์‹ถ๋‹ค. ์–ด๋ ค์šด ๊ณผ์ œ์ด๋‹ˆ๋งŒํผ ์ฐธ๊ณ ํ•  ๋งŒํ•œ ์ž‘ํ’ˆ์ด ์žˆ์œผ๋ฉด ์ถ”์ฒœ ๋ถ€ํƒ๋“œ๋ฆฐ๋‹ค.

Painting & photo by YK, 2018

Paper Plane / ์ข…์ด ๋น„ํ–‰๊ธฐ

When refugees arrive at the host country, they wear their best clothes, not rags. Not because their lives were not hard, but because they want to start their new lives well, with dignity.

– an Italian social worker who helps refugees’ settlement.

๋‚œ๋ฏผ๋“ค์ด ์ƒˆ ๋‚˜๋ผ์— ๋„์ฐฉํ•  ๋•Œ๋Š” ๋„๋งˆ๊ฐ€ ์•„๋‹ˆ๋ผ ๊ฐ€์žฅ ๊นจ๋—ํ•œ ์˜ท์„ ๋งˆ๋ จํ•ด ์ž…๋Š”๋‹ค. ์ด์ „์˜ ์‚ถ์ด ํž˜๋“ค์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์ด ์•„๋‹ˆ๋ผ, ์ƒˆ ๋‚˜๋ผ์—์„œ์˜ ์‚ถ์„ ๋ฐ๊ฒŒ, ์กด์—„ํ•˜๊ฒŒ ์‹œ์ž‘ํ•˜๋ ค ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค.

– ์ดํƒˆ๋ฆฌ์•„์—์„œ ๋‚œ๋ฏผ๋“ค์˜ ์ •์ฐฉ์„ ๋•๋Š” ํ™œ๋™๊ฐ€.

YK 2018.

Sunflowers / ํ•ด๋ฐ”๋ผ๊ธฐ

YK 2018.

Moving / ์ด์‚ฌ

YK 2018.