Animation: Dual-Task Interference

I made an animation for my recent neuroscience article on dual-task interference. It was nice to finally visualize a scientific idea, after making it my new year’s resolution for so long. Graphical summary of the paper in my Twitter thread.

Beauty Today, Beast Tomorrow?

Recent events reminded me of the flight of an insect-like drone reported last year in Nature. As I watched the small machine flapping its delicate wings toward the light, its energy source (YouTube link), I felt as though I was watching the first steps of a baby. At the same time, I couldn’t help but wonder what it would grow into: a nimble rescuer, or a killer under unexpected circumstances?

YK 2020.

Answers: Axittic, Flissil, or Horgous?

This time, I received answers from four people, and while some names matched mine, no one got everything matched!

The original names that inspired me and the reasons were, in order:

  • Flissil: sounds fluid and at a loss (1/4 matched this name)
  • Horgous: sounds hollow and lonely (2/4 matched this name)
  • Axittic: sounds like an axis + excited (0/4 matched this name)

All in all, this week’s results showed that there are cases when it’s difficult to tell the names (3/12 answers matched the original), unlike last week’s (all 12/12 answers matched the original).

Here are some observations on individual responses:

  • It was interesting to note that when you focused on features similar to me, you also guessed the same word. For example, there was an answer that said Flissig is like “Flรผssig, can’t stand, erect, define”, which was very similar to my original intention.
  • Also, when you focused on different features of either the word or the drawing, you guessed different words. For example, while the second drawing was also said to be “Horgous” because it was a “male name”, it was also named “Axittic” by some of you because it has a stick – an axis.
  • Finally, there were times that the drawing itself felt different to you than to me, like the last one. I was thinking of a whirling axis with flickering lights, and while one of you suggested it looks “proud and gorgeous”, many of you instead suggested it looked “watery”, “impermanent, changing being, like flowers wilting in a pot”.

In the original study, participants chose among 4 names. The original name was chosen ~31% of the times, which was higher than the opposite (~21%), unrelated (~24%) or similar (~24%) names. So the difference was statistically significant but not huge (~1.3x to 1.5x more likely to choose the original name than others), which was consistent with what we have seen in our two surveys.

What connects the nonword names to made-up drawings at all? The study suggests that certain properties, like

  • round vs. spiky
  • large vs. small
  • masculine vs. feminine

are inferred consistently across participants from either a word or a drawing, and those properties may have helped people identify the original name that inspired a drawing. For example, words like “heonia” were rated feminine, and elicited drawings that looked feminine. Also, in other studies,

Some sound-meaning associations are found across different language families, which is called “absolute iconicity“. For example:

Not every language has such associations, but those are found more often than by chance, even across different language families.

Also, many languages use characteristics of sounds to convey relative meanings, which is called “relative iconicity“. To list some in the paper:

  • “p” vs “b” and “t” vs “d”: mass (Siwu: tsaratsa, “a light person walking quickly” vs. dzradzra, “a heavy person walking quickly”)
  • “ฮต” vs “o”: size (Ewe: lฮตgฮตฮต, “slim” vs. logoo, “fat” )

I imagine it would be nice if there were a systematic map showing the relative iconicity found across the world. That would not only be fascinating to behold, but also be useful for naming and drawing new characters for a picture book!

Name it II: Axittic, Flissil, or Horgous?

If you are reading a picture book with creatures named Axittic, Flissil, and Horgous, would you be able to recognize the creatures just from the names? Let’s see if you can: Pick a name for each creature in the picture among Axittic, Flissil, and Horgous, and let me know a short reason why!

As I did last week, I drew each of these creatures for one of the names. As mentioned, this activity is inspired by a recent study which showed that drawings from made-up names can be matched with the original names better than chance. So you may as well be able to read my mind here!

Last week’s answers showed that you indeed could. All 6 answers about Heonia and Cruckwic I got (on WordPress and Instagram) were correct. So again, this is not impossible as some linguists suggested. Maybe matching two names was even too easy, so let’s try matching three!

How can names be connected to creatures? The study suggests that certain sounds (such as “k”) in the name evoke certain attributes (sharpness), which in turn are reflected in the drawing based on the name. Intriguingly, some of such associations are found across cultures. I will summarize the associations next week.

Until then, please pick a name for each creature in the picture among Axittic, Flissil, and Horgous, and let me know a short reason why!

Answers: Heonia or Kruckwic?

All six of you got it right! “Cruckwic” inspired the horned creature, and “Heonia” inspired the one with the dark blue background.

Among the interesting reasons for your guesses, my favorite was @riniscreature’s:

Heonia sounds like a dainty plant to me, like a flower. And then Cruckwic sounds more like a mischievous character. Like a creature hiding in a forest and giving people riddles and wrong directions.

That was a fun story I haven’t thought about!

Originally, I imagined Cruckwic as a gowned professor because that was shortly after I learned how to pronounce a professor’s name with a similar ending (according to which I would pronounce the final “c” as “ch” in “speech”).  With “Cruck-“, it somehow sounded like an old mythical creature with rough skin, so that’s how it came to be. Surprisingly close to reasons some of you gave.

With Heonia, I imagined a creature that lasts eons, producing rings signaling time, deep under the sea.

My reasoning sounds like this association between the sound and the drawing would be language specific, but surprisingly some of them hold across cultures. I will discuss this next week. Until then – try this week’s, where I now put three creatures as a challenge!

Name it: Heonia or Cruckwic?

 

In your reply, let me knowย which one you think is Heonia, and which one is Cruckwic, and a short reason why you think so!

These are portraits of two creatures that I conjured up from the two made-up names. Next week, I will reveal which name originally inspired which portrait.

If you feel like it, also try drawing Heonia & Cruckwic youself (in a random order) and let me know! I will try to guess yours. I tried this with my family and they loved it.

This activity is inspired by a recent study in cognitive science. It found that, when people are asked to draw creatures with made-up names, they nonetheless make drawings with consistent features. Furthermore, another set of people who viewed the drawings could match them with the original names better than chance. There are suggestions that this may be due to the “iconicity” of the words – the similarity between the words and its meaning. But that position goes against the conventional wisdom:

with the exception of words that directly imitate sounds, the relationship between word-forms and meanings is arbitrary: “There is no reason for you to call a dog ‘dog’ rather than ‘cat’ except for the fact that everyone else is doing it” (Pinker & Bloom 1990, p. 728)

More on this next week.

Until then, let me know which one you think is Heonia and which one is Cruckwic, and a short reason why you think so. If you feel like it, also draw them yourself in a random order and let me know!

Reflection / ๋ฐ˜์ถ”

I originally planned the mobile as a piece on metacognition, as it apparently is. Then I was about to accompany it with an essay about how we deliberate and reach a decision, which I studied during my PhD.

But while I was making it, I also realized that I had ideas like this, and others, from when I was little. I felt like I’ve only made it now because now I have more experience executing such ideas.

In that sense, the mobile could be also about growth: a larger self looking back on the little selves. Indeed, metacognition, or evaluation of one’s own thinking, can be one way for learning and growth for humans and machines. For example, if you were sure you would be invited to a friend’s birthday and if you were not, you would wonder about the reason and might learn more about what happened to the friend or to your friendship. That’s different from when you were unsure about getting the invitation to begin with, in which case being not invited wouldn’t mean much.ย Therefore, the sense of being sure, or confidence, is a form of metacognition that can help learning. Machines use confidence to learn as well: agreement between the graded sense of confidence and the all-or-none outcomes can beย mathematically expressed as “cross entropy“, which is a standard measureย used in training machines.

Back to the mobile, I debated whether to use wires or paper, but chose paper because each figure is planar. I glued several sheets together to reinforce them. If someone wants it in a more permanent form, I’d like to try 3D printing it.

์›๋ž˜๋Š” ๋ฉ”ํƒ€-์ธ์ง€์— ๊ด€ํ•œ ๋ชจ๋นŒ๋กœ ๊ณ„ํšํ–ˆ๋‹ค. ์ง€๊ธˆ๋„ ๊ทธ๋ ‡๊ฒŒ ๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์„ค๋ช…์œผ๋กœ๋Š” ์šฐ๋ฆฌ๊ฐ€ ์–ด๋–ป๊ฒŒ ๊ณ ๋ฏผํ•˜๊ณ  ๊ฒฐ๋ก ์— ๋„๋‹ฌํ•˜๋Š”์ง€์— ๋Œ€ํ•ด, ๋‚ด๊ฐ€ ๋ฐ•์‚ฌ๊ณผ์ • ๋•Œ ์—ฐ๊ตฌํ–ˆ๋˜ ๋‚ด์šฉ์„ ๊ณ๋“ค์—ฌ ์“ธ ์ƒ๊ฐ์ด์—ˆ๋‹ค.

ํ•˜์ง€๋งŒ ๋ชจ๋นŒ์„ ๋งŒ๋“œ๋Š” ๋™์•ˆ, ์–ด๋ฆด ๋•Œ๋„ ์ด๋Ÿฐ ์•„์ด๋””์–ด๋ฅผ ํฌํ•จํ•ด ์—ฌ๋Ÿฌ ์•„์ด๋””์–ด๋“ค์ด ์žˆ์—ˆ๋˜ ๊ฒƒ์ด ๊ธฐ์–ต๋‚ฌ๋‹ค. ์ด์ œ์•ผ ์ด ๋ชจ๋นŒ์„ ๋งŒ๋“ค๊ฒŒ ๋œ ๊ฒƒ์€, ์ด์ œ์„œ์•ผ ๊ทธ ์•„์ด๋””์–ด๋ฅผ ์‹คํ˜„ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์–ด์„œ๋ผ๋Š” ์ƒ๊ฐ์ด ๋“ค์—ˆ๋‹ค.

๊ทธ๋Ÿฐ ์˜๋ฏธ์—์„œ, ์ด ๋ชจ๋นŒ์€ ์„ฑ์žฅ์— ๊ด€ํ•œ ์ž‘ํ’ˆ์ผ ์ˆ˜๋„ ์žˆ๊ฒ ๋‹ค: ํฐ ์ž์‹ ์ด ์ž‘์€ ์ž์‹ ๋“ค์„ ๋ฐ˜์ถ”ํ•˜๋Š” ๊ฒƒ์ด๋‹ค. ๋ฉ”ํƒ€-์ธ์ง€, ํ˜น์€ ์Šค์Šค๋กœ์˜ ์ƒ๊ฐ์— ๋Œ€ํ•œ ํŒ๋‹จ์€ ์‹ค์ œ๋กœ ์‚ฌ๋žŒ์ด๋‚˜ ๊ธฐ๊ณ„๊ฐ€ ๋ฐฐ์šฐ๊ณ  ์„ฑ์žฅํ•˜๋Š” ๋ฐ ๋„์›€์ด ๋œ๋‹ค. ์˜ˆ์ปจ๋Œ€ ์–ด๋–ค ์นœ๊ตฌ์˜ ์ƒ์ผํŒŒํ‹ฐ์— ์ดˆ๋Œ€๋  ๊ฑฐ๋ผ๊ณ  ํ™•์‹ ํ–ˆ๋Š”๋ฐ ์ดˆ๋Œ€๋ฐ›์ง€ ๋ชปํ–ˆ๋‹ค๋ฉด, ๊ทธ ์นœ๊ตฌ๋‚˜ ์นœ๊ตฌ์™€์˜ ์šฐ์ •์— ๋Œ€ํ•ด ๋‹ค์‹œ ์ƒ๊ฐํ•ด๋ณด๊ณ  ๋ญ”๊ฐ€๋ฅผ ๋” ๋ฐฐ์šธ ์ˆ˜ ์žˆ์„ ๊ฒƒ์ด๋‹ค. ํ•˜์ง€๋งŒ ์ดˆ๋Œ€๋ฐ›์„์ง€ ์—ฌ๋ถ€๊ฐ€ ์• ์ดˆ์— ๋ถˆํ™•์‹คํ–ˆ๋‹ค๋ฉด, ์ดˆ๋Œ€๋ฅผ ๋ชป ๋ฐ›์•„๋„ ๋ณ„ ๋œป์ด ์—†์—ˆ๋‹ค๊ณ  ์—ฌ๊ธธ ๊ฒƒ์ด๋‹ค. ์ด๋ ‡๊ฒŒ ์ž์‹ ๊ฐ์€ ๋ฐฐ์›€์„ ๋„์šธ ์ˆ˜ ์žˆ๋Š” ๋ฉ”ํƒ€์ธ์ง€์˜ ํ•œ ํ˜•ํƒœ์ด๋‹ค. ์ž์‹ ๊ฐ์€ ๊ธฐ๊ณ„๋“ค์˜ ํ›ˆ๋ จ์—๋„ ์“ฐ์ธ๋‹ค:ย  ์ž์‹ ๊ฐ๊ณผ ์‹ค์ œ ๊ฒฐ๊ณผ ์‚ฌ์ด์˜ ์ผ์น˜๋„๋Š” ์ˆ˜ํ•™์ ์œผ๋กœ “ํฌ๋กœ์Šค ์—”ํŠธ๋กœํ”ผ“๋กœ ํ‘œํ˜„๋  ์ˆ˜ ์žˆ์œผ๋ฉฐ, ์ด๋Š” ๊ธฐ๊ณ„๋“ค์„ ํ›ˆ๋ จํ•  ๋•Œ ์ผ์ƒ์ ์œผ๋กœ ์“ฐ์ด๋Š” ์ฒ™๋„์ด๋‹ค.

๋ชจ๋นŒ๋กœ ๋Œ์•„์™€์„œ, ์ฒ ์‚ฌ๋ฅผ ์“ธ์ง€ ์ข…์ด๋ฅผ ์“ธ์ง€ ๊ณ ๋ฏผํ•˜๋‹ค๊ฐ€, ๊ฐ ์ธ๋ฌผ์˜ ๋””์ž์ธ์ด ํ‰๋ฉด์ ์ด๊ธฐ ๋•Œ๋ฌธ์— ์ข…์ด๋ฅผ ์“ฐ๊ธฐ๋กœ ํ–ˆ๋‹ค. ์ข…์ด ๋ช‡ ์žฅ์„ ํ•จ๊ป˜ ๋ถ™์—ฌ์„œ ๋‹จ๋‹จํ•˜๊ฒŒ ์„ธ์šธ ์ˆ˜ ์žˆ๋„๋ก ๋งŒ๋“ค์—ˆ๋‹ค. ๋” ํŠผํŠผํ•œ ๋ฒ„์ „์„ ์›ํ•˜๋Š” ์‚ฌ๋žŒ์ด ์žˆ๋‹ค๋ฉด 3D ํ”„๋ฆฐํŒ…์œผ๋กœ ๋งŒ๋“ค์–ด ๋ณด๊ณ  ์‹ถ๋‹ค.

YK 2019.

Fixinโ€™ ResNet / ๋ ˆ์Šค๋„ท ๊ณ ์น˜๊ธฐ

Diggin’ into neural nets.

A ResNet is a relatively new type of deep artificial neural networks that can recognize objects – the kind that finds objects in your images on Google Photos.

This illustration mixes images of a stack of sandwiches with a ResNet. The protagonist is adding a “skip connection” (blue wire) between neural layers (slices of bread). Such skip connections, inspired by biology, are the characteristic of ResNets. The skip connections allowed ResNets to be deeper than its predecessors (have a tall stack), and helped them to recognize more complex images.

Why is it good for a network to be deep? And why do skip connections help? I find it a stretch to explain them with the analogy of a sandwich, so I defer the answers to later posts. Let’s say for now that the ResNet has skip connections repeated every 2-3 layers, so it’s easy to make it deeper by stacking the same structure multiple times. That makes it look like the stacked sandwiches (see Figure 3 of the original paper).

Well, this was my first attempt at a neuroscience/AI-inspired illustration. The analogy leaves a lot to be desired, but hopefully it will get better as I try more. At least this fulfills my new year’s resolutionโ€”to post about neuroscienceโ€”on the new year’s day! ๐Ÿ™‚

์‹ ๊ฒฝ๋ง ์† ํŒŒ๊ณ ๋“ค๊ธฐ.

๋ ˆ์Šค๋„ท์€ ๋น„๊ต์  ์ƒˆ๋กœ์šด ์‹ฌ์ธต ์‹ ๊ฒฝ๋ง์œผ๋กœ, ๊ตฌ๊ธ€ ํฌํ† ์—์„œ์ฒ˜๋Ÿผ ๋ฌผ๊ฑด๋“ค์„ ์•Œ์•„๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

๊ทธ๋ฆผ์—์„œ๋Š” ๋†’์ด ์Œ“์€ ์ƒŒ๋“œ์œ„์น˜์™€ ๋ ˆ์Šค๋„ท์˜ ์ด๋ฏธ์ง€๋ฅผ ํ•ฉํ–ˆ์Šต๋‹ˆ๋‹ค. ์ฃผ์ธ๊ณต์€ “๊ฑด๋„ˆ๋›ฐ๋Š” ์—ฐ๊ฒฐ”(ํŒŒ๋ž€ ์ „์„ )์„ ์‹ ๊ฒฝ๋ง ์ธต (๋นต) ์‚ฌ์ด์— ์ถ”๊ฐ€ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค. ๊ฑด๋„ˆ๋›ฐ๋Š” ์—ฐ๊ฒฐ์€ ์‹ค์ œ ๋‡Œ์—์„œ ์˜๊ฐ์„ ์–ป์€ ๊ตฌ์กฐ๋กœ, ๋ ˆ์Šค๋„ท์˜ ๊นŠ์ด๋ฅผ ๋”ํ•˜๋Š” ๋ฐ ๋„์›€์„ ์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค. (์ธต์„ ๋†’์ด ์Œ“์„ ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.)

์™œ ์‹ ๊ฒฝ๋ง์ด ๊นŠ์œผ๋ฉด ์ข‹์€์ง€, ์™œ ๊ฑด๋„ˆ๋›ฐ๋Š” ์—ฐ๊ฒฐ์ด ๋„์›€์ด ๋˜๋Š”์ง€, ์ƒŒ๋“œ์œ„์น˜์˜ ๋น„์œ ๋กœ ์„ค๋ช…ํ•˜๊ธฐ์—๋Š” ํ•œ๊ณ„๊ฐ€ ์žˆ์–ด์„œ, ๋Œ€๋‹ต์€ ์ดํ›„ ๊ผญ์ง€๋“ค๋กœ ๋ฏธ๋ฃจ๋„๋ก ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค. ์—ฌ๊ธฐ์„œ๋Š” ๋ ˆ์Šค๋„ท์ด ๊ฑด๋„ˆ๋›ฐ๋Š” ์—ฐ๊ฒฐ์„ 2-3์ธต๋งˆ๋‹ค ๋ฐ˜๋ณตํ•ด์„œ ๊ฐ€์ง€๊ณ  ์žˆ์–ด์„œ, ์ƒŒ๋“œ์œ„์น˜๋ฅผ ์Œ“๋“ฏ์ด ๊ฐ™์€ ๊ตฌ์กฐ๋ฅผ ๋ฐ˜๋ณต๋งŒ ํ•˜๋ฉด ์‰ฝ๊ฒŒ ๊นŠ์–ด์ง€๋„๋ก ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ์ ๋งŒ ์–ธ๊ธ‰ํ•˜๊ฒ ์Šต๋‹ˆ๋‹ค. (์›๋ž˜ ๋…ผ๋ฌธ์˜ ๊ทธ๋ฆผ 3์„ ์ฐธ๊ณ ํ•˜์„ธ์š”.)

๋‡Œ๊ณผํ•™/AI์— ๊ด€ํ•œ ์ฒซ ๊ผญ์ง€์˜€์Šต๋‹ˆ๋‹ค. ๋น„์œ ๊ฐ€ ์•„์ง ์–ด์ƒ‰ํ•˜์ง€๋งŒ, ๋” ์‹œ๋„ํ•˜๋ฉด์„œ ๊ฐœ์„ ํ•ด ๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ์ ์–ด๋„ ๋‡Œ๊ณผํ•™์— ๊ด€ํ•ด ์จ ๋ณด๊ฒ ๋‹ค๋Š” ์ œ ์ƒˆํ•ด ๋‹ค์ง์„ ์ƒˆํ•ด ์ฒซ๋‚ ์— ์‹ค์ฒœํ•œ๋‹ค๋Š” ์˜๋ฏธ๋Š” ์žˆ๊ฒ ๋„ค์š”. ๐Ÿ™‚