Progress

YK 2019.

Flowing / ํ๋ฅด๋Š”

After a bit of walk down the river, we found a right spot to sit down. They had theirs opposite us.


ํ•œ์ฐธ์„ ๊ฐ• ๋”ฐ๋ผ ๊ฑท๋‹ค๊ฐ€ ์•‰๊ธฐ ์ข‹์€ ์ž๋ฆฌ๋ฅผ ์ฐพ์•˜๋‹ค. ๋ฐ˜๋Œ€์ชฝ์—๋Š” ์ƒˆ๋“ค์ด ๊ทธ๋ ‡๊ฒŒ ์•‰์•„ ์žˆ์—ˆ๋‹ค.

YK 2018.

Take Care / ์•ˆ๋…•

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Mixed media, 2018

Study for “Return”, All 3 Versions / “๊ท€ํ™˜”์„ ์œ„ํ•œ ์Šต์ž‘, 3๊ฐ€์ง€ ๋ชจ๋‘

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Study for “Return” – 3 / “๊ท€ํ™˜”์„ ์œ„ํ•œ ์Šต์ž‘ – 3.ย Pencil on paper, 2017

Here I put a branch instead of a whole tree, to save space for the deer. So now the deer is big again (although drawn tentatively here, just to see the arrangement), and the tree is definitely upside down. However, the tree is small and looks weak. So it doesn’t really look like there was a big flood.

One progress was that I made the tree to be drifting, rather than hanging from its root. That removed the burden to explain where the tree is hanging from (see Study 2 below for the awkward cliff). Perhaps in the next version I will make the tree big again and drifting.

Now these are all 3 versions I recently made. Which one do you like better? How do they feel different from each other, if at all? I’m curious.

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Studies 1, 2, and 3 in order.


์ด๋ฒˆ์—๋Š” ๋‚˜๋ฌด ๋Œ€์‹  ๊ฐ€์ง€๋ฅผ ๋„ฃ์–ด ๋ณด์•˜๋‹ค. ์ด์ œ ์‚ฌ์Šด์„ ์œ„ํ•œ ๊ณต๊ฐ„์„ ์ถฉ๋ถ„ํžˆ ํ™•๋ณดํ•˜๊ณ ๋„ ๋‚˜๋ฌด๋ฅผ ๊ฑฐ๊พธ๋กœ ์„œ ์žˆ๊ฒŒ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๊ฒŒ ๋˜์—ˆ๋‹ค.ย (์‚ฌ์Šด์€ ๊ตฌ์„ฑ์„ ์‹œํ—˜ํ•˜๊ธฐ ์œ„ํ•ด ๊ฐ„๋žตํžˆ๋งŒ ๊ทธ๋ ธ๋‹ค.) ๋Œ€์‹  ๋‚˜๋ฌด๋Š” ์ž‘๊ณ  ์•ฝํ•ด ๋ณด์ธ๋‹ค. ๊ทธ๋ž˜์„œ ํฐ ํ™์ˆ˜๊ฐ€ ๋‚ฌ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด์ง€ ์•Š๋Š”๋‹ค.

ํ•œ ๊ฐ€์ง€ ์ง„์ „์€ ๋‚˜๋ฌด๊ฐ€ ์–ด๋”˜๊ฐ€์— ๋ถ€๋Ÿฌ์ ธ์„œ ๋งค๋‹ฌ๋ ค ์žˆ๋Š” ๋Œ€์‹  ๋– ๋‚ด๋ ค ์˜ค๋Š” ๋ชจ์Šต์œผ๋กœ ๊ทธ๋ฆฐ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๋ฉด ๋‚˜๋ฌด๊ฐ€ ์–ด๋””์— ๋งค๋‹ฌ๋ ค ์žˆ๋Š”์ง€ ํ‘œํ˜„ํ•˜์ง€ ์•Š์•„๋„ ๋œ๋‹ค๋Š” ์žฅ์ ์ด ์žˆ๋‹ค (์Šต์ž‘ 2์˜ ์–ด์ƒ‰ํ•œ ๋ฒผ๋ž‘์„ ์ฐธ๊ณ ). ๋‹ค์Œ ๋ฒ„์ „์—์„œ๋Š” ๋‚˜๋ฌด๋ฅผ ๋‹ค์‹œ ํฌ๊ฒŒ ํ•˜๊ณ  ๋– ๋‚ด๋ ค ์˜ค๋Š” ๋ชจ์Šต์œผ๋กœ ๊ทธ๋ฆด๊นŒ ํ•œ๋‹ค.

์ด๋ ‡๊ฒŒ ์ตœ๊ทผ์— ๋งŒ๋“  ์„ธ ๋ฒ„์ „์„ ๋ชจ๋‘ ์˜ฌ๋ ธ๋‹ค. ๋…์ž๋“ค๊ป˜๋Š” ์–ด๋–ค ๋ฒ„์ „์ด ๋‚˜์•„ ๋ณด์ด๋Š”์ง€, ๊ฐ ๋ฒ„์ „์˜ ๋Š๋‚Œ์— ์–ด๋–ค ์ฐจ์ด๊ฐ€ ๋‚˜๋Š”์ง€ ๊ถ๊ธˆํ•˜๋‹ค.

Study for “Return” – 2 / “๊ท€ํ™˜”์„ ์œ„ํ•œ ์Šต์ž‘ – 2

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Study for “Return” – 2. / “๊ท€ํ™˜”์„ ์œ„ํ•œ ์Šต์ž‘ – 2.ย Pencil on paper, 2017

In this version, I scaled the deer down and made the tree big.* I tried to make sure it looks uprooted and upside down. It still looks strange to me though – the way it’s hung on the cliff. The cliff doesn’t clearly look like one, either. Also now I don’t have much space to work on the deer. Perhaps it doesn’t need to be big – I only need to come up with a concise way to express it.

Which version do you like better? Are these tweaks making any difference? I’m curious.

*Compare the sizes of the tree & the deer
with the previous oneย below:


์ด ๋ฒ„์ „์—์„œ๋Š” ์‚ฌ์Šด์„ ์ž‘๊ฒŒ ํ•˜๊ณ  ๋‚˜๋ฌด๋ฅผ ํฌ๊ฒŒ ํ•ด ๋ณด์•˜๋‹ค.* ๋‚˜๋ฌด ๋ฟŒ๋ฆฌ๊ฐ€ ๋ฝ‘ํ˜€ ์žˆ๊ณ  ๊ฑฐ๊พธ๋กœ ๋ˆ„์›Œ ์žˆ๊ฒŒ ํ•˜๋ ค ํ–ˆ๋‹ค. ์•„์ง ๋ฒผ๋ž‘์— ๊ฑธ์ณ ์žˆ๋Š” ๋ชจ์Šต์ด ์ด์ƒํ•ด ๋ณด์ด๊ณ , ๋ฒผ๋ž‘๋„ ๊ผญ ๋ฒผ๋ž‘ ๊ฐ™์•„ ๋ณด์ด์ง€ ์•Š๋Š”๋‹ค. ์ด์ œ ์‚ฌ์Šด์„ ์œ„ํ•œ ๊ณต๊ฐ„์ด ์ถฉ๋ถ„์น˜ ์•Š๋‹ค. ์‚ฌ์Šด์ด ํด ํ•„์š”๋Š” ์—†์„์ง€๋„ ๋ชจ๋ฅธ๋‹ค. ๊ฐ„๋ช…ํ•˜๊ฒŒ ํ‘œํ˜„ํ•  ๋ฐฉ๋ฒ•๋งŒ ์ฐพ๋Š”๋‹ค๋ฉด.

๋…์ž๋“ค๊ป˜๋Š” ์–ด๋–ค ๋ฒ„์ „์ด ๋‚˜์•„ ๋ณด์ด๋Š”์ง€, ์ฐจ์ด๊ฐ€ ๋‚˜๋Š”์ง€ ๊ถ๊ธˆํ•˜๋‹ค.

* ์‚ฌ์Šด๊ณผ ๋‚˜๋ฌด์˜ ํฌ๊ธฐ๋ฅผ ์ด์ „ ๋ฒ„์ „๊ณผ ๋น„๊ตํ•ด ๋ณด์‹œ๊ธธ:

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Study for “Return”-1 / “๊ท€ํ™˜”์„ ์œ„ํ•œ ์Šต์ž‘-1

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Study for “Return”, or ascending back.

“๊ท€ํ™˜” ํ˜น์€ ๋˜์˜ฌ๋ผ๊ฐ€๊ธฐ๋ฅผ ์œ„ํ•œ ์Šต์ž‘.

I’ve first come up with this theme more than ten years ago. It has been hard to do the deer justice while also reserving space for the broken tree on the side. I want the tree to be big and lying upside down, but without more cues (which takes more space than the size of the deer), it doesn’t look like a tree or upside down. I’m still working on different arrangements.


์ด ์ฃผ์ œ๊ฐ€ ๋– ์˜ค๋ฅธ ๊ฑด ์‹ญ ๋…„๋„ ๋” ์ „์ด๋‹ค. ์‚ฌ์Šด์„ ์ œ๋Œ€๋กœ ๊ทธ๋ฆฌ๋ฉด์„œ ๋ถ€๋Ÿฌ์ง„ ๋‚˜๋ฌด๋ฅผ ์œ„ํ•œ ๊ณต๊ฐ„์„ ๋‚จ๊ฒจ๋‘๊ธฐ๊ฐ€ ์–ด๋ ค์› ๋‹ค. ๋‚˜๋ฌด๊ฐ€ ํฌ๊ณ  ๊ฑฐ๊พธ๋กœ ๋ˆ„์›Œ ์žˆ์—ˆ์œผ๋ฉด ํ•˜๋Š”๋ฐ, (์‚ฌ์Šด๋ณด๋‹ค ๋” ํฐ ๊ณต๊ฐ„์ด ํ•„์š”ํ•œ)ย ๋ญ”๊ฐ€๋ฅผ ๋” ๊ทธ๋ฆฌ์ง€ ์•Š๊ณ ๋Š” ๋‚˜๋ฌด๊ฐ™์ง€ ์•Š๊ฑฐ๋‚˜ ๊ฑฐ๊พธ๋กœ ๋ˆ„์›Œ ์žˆ์–ด ๋ณด์ด์ง€ ์•Š์•˜๋‹ค. ์•„์ง๋„ ๋‹ค๋ฅธ ๋ฐฐ์น˜๋ฅผ ๋†“๊ณ  ๊ณ ๋ฏผ ์ค‘์ด๋‹ค.

Pencil & pastel on paper, 2017

Unlikely Allies: Squid & Whale / ๋œป๋ฐ–์˜ ๋™๋งน: ๋Œ€์™•์˜ค์ง•์–ด์™€ ๊ณ ๋ž˜

Squid_Whale

Pencil & digital, 2017

Drawn to a corner, Whale flung Squid over the nets, crying: “You go and fetch help!” …

(in an ascension of their relationship…)


์ฝ”๋„ˆ์— ๋ชฐ๋ฆฌ์ž, ๊ณ ๋ž˜๋Š” ์˜ค์ง•์–ด๋ฅผ ๊ทธ๋ฌผ ๋„ˆ๋จธ๋กœ ๋˜์ง€๋ฉฐ ์†Œ๋ฆฌ์ณค๋‹ค: “๊ฐ€์„œ ๋„์›€์„ ๊ตฌํ•ด!” …

(๋‘˜ ๊ด€๊ณ„์˜ ์Šน๊ฒฉ๊ณผ ํ•จ๊ป˜…)

 

Sharks Booed! / ์ƒ์–ด์˜ ํ• ๋กœ์œˆ

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Pencil on paper & digital, 2017

Another Halloween for Creatures drawing, this time for sharks. As mentioned in “Halloween for Beans“:

Every Halloween, people wear as scary creatures, presumably laughing away the fear that way. So I made several drawings where different creatures wear as what scares them.

So what would scare sharks, themselves usually considered the scary ones? Would they beย cheekyย about their worries?


์˜จ๊ฐ– ๊ฒƒ๋“ค์„ ์œ„ํ•œ ํ• ๋กœ์œˆ์˜ ์ฃผ์ œ๋กœ, ์ด๋ฒˆ์—๋Š” ์ƒ์–ด๋ฅผ ์ฃผ์ธ๊ณต์œผ๋กœ ๊ทธ๋ ค ๋ณด์•˜๋‹ค.”์ฝฉ์˜ ํ• ๋กœ์œˆ“์—์„œ ์–ธ๊ธ‰ํ–ˆ๋“ฏ์ด:

ํ• ๋กœ์œˆ์ด๋ฉด ์‚ฌ๋žŒ๋“ค์ด ๋ฌด์„œ์šด ๊ฒƒ๋“ค๋กœ ๋ถ„์žฅํ•˜๊ณค ํ•˜๋Š”๋ฐ, ๋‘๋ ค์›€์„ ๊ทธ๋ ‡๊ฒŒ ์›ƒ์–ด๋„˜๊ธฐ๋Š” ๊ฒŒ ์•„๋‹Œ๊ฐ€ ์‹ถ์—ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์—ฌ๋Ÿฌ ์ƒ๋ฌผ๋“ค์ด ์ž๊ธฐ์—๊ฒŒ ๋ฌด์„œ์šด ๊ฒƒ์œผ๋กœ ๋ถ„์žฅํ•˜๋Š” ๊ทธ๋ฆผ๋“ค์„ ๊ทธ๋ ค ๋ณด์•˜๋‹ค.

๊ทธ๋ ‡๋‹ค๋ฉด ๋ณดํ†ต ๋ฌด์„œ์›€์˜ ๋Œ€์ƒ์ด ๋˜๊ณค ํ•˜๋Š” ์ƒ์–ด์—๊ฒŒ๋Š” ๋ฌด์—‡์ด ๋ฌด์„œ์šธ๊นŒ? ์ƒ์–ด๋„ ๊ณตํฌ๋ฅผ ์ด๋ ‡๊ฒŒ ์žฅ๋‚œ๊ธฐ ์–ด๋ฆฐ ๋ชจ์Šต์œผ๋กœ ์›ƒ์–ด๋„˜๊ธธ ์ˆ˜ ์žˆ์„๊นŒ?