Warnemünde – multiple points of view / 다각도로 본 바르네뮌데

The area had a lively but relaxing atmosphere. I kept doodling on the same page as I visited different places, while trying to fit them together into one scene. Then I colored in digitally, trying to keep the feel of the pen strokes.

생기 있으면서도 편안한 느낌을 주는 곳이었다. 장소를 옮겨가면서도 같은 페이지에 낙서를 추가해 나가면서 한 장면으로 만들어 보았다. 나중에 디지털 채색을 하면서 낙서의 볼펜 자국 느낌을 살리려고 해보았다.

YK 2020.

Best of 2019

Last year, I drew with dip pens and sketched more on site. I also tried weaving in stories, be it on science or others.

Next year, I’d like to try one-cut cartoons, starting from re-drawing classics, and hopefully at some point weaving in more from my day job, neuroscience and cognitive science. I know this part of my resolution is the same as last year’s. I found it difficult to start from vacuum, and that’s why I want to start from reinterpreting existing works.

What’s your new year’s resolution?

Links to the original:

  1. Reflection
  2. Aerialist
  3. Build
  4. Jack O’Lantern Sleeping Rough
  5. Hanging On
  6. Horgous
  7. An Unexpected View
  8. Full Speed (Criss-Cross)
  9. Boxer at Rest

Little My on a Swing

I made my first drawing with the Duke 551 Confucius Fude Nib Fountain Pen (which I got inspired by Ed’s drawings), and wondered how Little My (from Moominvalley) would like it.

After reading the comparison of Fude Nib fountain pens, I decided to get the one with the widest nib. I used to think pen strokes are too dry, and brushstrokes too wet, and this one seems to strike the right balance for me. It’s stiffer than I expected, but I like it since it gives a clean edge at the tip and a rough edge on the other side, which feels like carving.

Then – although I love admiring everyday objects, one point of drawing them is to see them from fresh angles, so I let My in.

YK 2019.