I sketched this one on site with pencil, but inked it only yesterday. I savored the memory of the rugged interior of the cave illuminated by the waves as I filled it in with hashes.
… or jump?
Sketched on site at Espresso Library which has bikes hanging from the ceiling.
Modified, inked, and colored afterwards.
I added ink to the original pencil drawing. I wasn’t sure how to deal with the complex lines of the trees – if I were to draw them all with pen, they would have overshadowed the church. So I tried wash and exaggerated the contrast. The moleskin paper was too thin to take the heavy wash but I was happy with the depth from the wash. The drawing started unexpected anyway.
Sketched on site. Pen and wash afterwards. YK 2019.
The city center of Cambridge is usually busy with tourists and shoppers during weekends, so if I have to shop, I usually scramble to get out of the center as soon as possible. But this time I decided to take my time and check out a cafe my friend recommended. The inside was full and steamy, so I had to take a seat outside, and funny enough, only then I noticed the view of The Round Church, the 800-year-old church that I have long wanted to visit.
The air was hazy and cool, and as I drew, someone knocked on the cafe window behind me. An elderly couple smiled and raised their thumbs. It was a sweet unexpected excursion in the middle of the busy city.
I painted the background with watercolor and removed flaky strokes of pastel.
I’m not sure whether I should retouch gibbons. They also have pastel strokes but to me it seems less jarring than in the background. What do you think – shall I retouch the gibbons to make it look finished?
Thank you very much, everyone, for helpful advice! I think I will submit both this one and the other one. The deadline is today and the most pressing question for me is whether to retouch the gibbons. I’d appreciate your feedback!